I’ve eagerly awaited the publication of Art of Atari since I first read about author Tim Lapetino’s in-progress book project many years ago. Art of Atari is aesthetically striking in a number of ways. It’s big, heavy, colorful, and exudes the feeling of a quality, professional product. The Deluxe Edition with its cartridge-emulating leather-bound cover and heavy-duty cardboard slipcase is artwork in itself, if you ask me. These were clearly not produced by some fly-by-night publishing house — it’s professional quality through and through. The subject matter necessitated high-quality printing in order to show off color, texture, and other subtleties in the artwork, and the book certainly delivers on that front, using extra-white paper to really make the imagery “pop” off the page. As someone who grew up with Atari (but somehow never owned another console until a PS3), and as someone with an admittedly lacking fantastical imagination, the artwork that accompanied Atari products made an enormous impression on me as a kid. It’s the talented artists and designers under Atari’s employ who deserve the credit for allowing me to dream of ideas and worlds bigger than those generated by glowing phosphor lines on a CRT screen, and Art of Atari does a spectacular job in affording them the recognition and credit they well deserve.
Personally I think that this version of Xenophobe is one of the best, if not the best. You know what? I’m going to say it. It’s the best. You want to know why? It’s got multiplayer. Not only does it have multiplayer, but you can also play as one of the aliens, and you can hunt your friends. Hello? Up to four players. Give me a break. So what do I think of this version of Xenophobe? It’s perfect. It is a perfect arcade game. Not only that, it adds the multiplayer element to it which is unique only for the Atari Lynx. Think about that. Not only is it delivering a perfect arcade translation, it’s also giving you something extra… A little Atari twist. I mean who doesn’t like an Atari twist, right? They’re great! So if you are looking to collect, or if you’re looking to play a great game, this game is a must-have.
Happy Holidays! It’s time for our 2nd Annual Atari I/O Secret Santa! If you’d like to be part of Secret Santa this year, please post a message below saying that you’d like to participate. If you can, include a link to your Want List in your post, or a list of game systems you collect for. The last day to sign up is Tuesday, November 15, 2016. Names will be assigned impartially by our Moderating team, and we will send you a PM with your Secret Santa information no later than Friday, November 18, 2016. We love classic video games and retro life, and as such gift items can be used or refurbished so long as they meet the criteria of costing you around $30.
Gamers who grew up with Atari will fondly remember the striking box, instruction manual, and label artwork as artifacts of a bygone time, when dressing up a game in proverbial fancy clothing wasn’t seen as an act of deception or otherwise underhanded. Art of Atari promises to be much more than a simple compendium of artistic sentimentality, however. Tim Lapetino, graphic design director and author of Art of Atari, has gone to great lengths to chronicle memories and stories from the artists and designers themselves. Since Atari artists’ handiwork comes from a time when even game programmers weren’t given credit for their work (let alone artists), Art of Atari will be a long-deserved recognition of their important contributions to video gaming history and lore. On behalf of Atari.IO, I spoke with the author earlier this year about his project-turned-book labor of love.
What do Patrick Swayze, Road House and Pit-Fighter have in common? Don’t be a jabroni – tune in and find out! Pit-Fighter hit the arcades in 1990. And it had some pretty amazing tech behind it, because this was the second game to use digitized actors as the actual sprites in the game. Pit-Fighter, to me, is a “guilty pleasure” game. I have guilty pleasure movies, Flash Gordon would be one of them. Another one would be Road House. Now, I equate Road House and Pit-Fighter almost on the same plane. Like, I feel like it’s the same universe, and I’ll tell you why. Let’s check out Pit-Fighter right now, as we walk down memory lane and check out our arcade ports on the Lynx Lounge. Get ready for some Pit-Fighter.
This is going to be a big Atari 7800 showcase, so I just wanted to share with you guys this little “unboxing of things to come in the show”. We’re going to take a look at the Best Electronics 7800 Light Gun, the Video 61 7800 Grip-Stick, the 7800 European Controller, a brand new AV Modded Atari 7800, and an Atari 7800 Trak-Ball. I mean, really, let’s be honest, few of you had 7800s. Those who did are very fond of them. But for the most part, in this time period, most everybody was playing Sega Master System, I mean even that’s few and far between, but mostly the world was being run by Nintendo. This equipment here, the Atari 7800, was kind of being left out. So we’re going to give this equipment and these games a new chance to shine. And we’re going to invite guests over and we’re going to have a good time, and we’re gonna rack up the high scores and that’s how we’re gonna do it. This is the loot! I mean, man, this is like Christmas here! I am so excited. I can’t wait to get this show rolling.
Is Rygar a game that you need to pick up for your Atari Lynx? Absolutely. Rygar is a great, great game. It’s almost a perfect arcade port. It’s beautiful to look at. And it’s very, very fun and addicting to play. The graphics are great. They’re very close to the arcade, they don’t look anything like the NES version. They’re not glitchy, they’re solid, and it’s a joy to look at. Lots of different cool landscapes, you have the sunset in the background. I mean it’s a really, really lush, beautiful looking game. I highly recommend that you get ahold of this bad boy right here.
Every system needs to have a “killer app” to sell the system. For Atari 2600 it was Space Invaders. For the NES it was Super Mario Bros. To me, Alien vs. Predator was that game for Atari Jaguar. This was the one that put Jaguar on the map. Alien vs. Predator was the reason that I wanted to get an Atari Jaguar. It was like “Atari! It’s back!” Here they are with a 64-Bit system and this amazing game. “They’re going to do it again! They’re going to do what they did in 1979.” Now we know the story, but in my heart I believed that and it was this game that made me want to buy this system.
Today we’re looking at arcade ports for the Atari Lynx. And umm.. what time is it? Umm, hmm.. I don’t know, it’s the ’90s so there’s always time for some KLAX. Am I right? I mean that’s what I always told myself in 1990. Time for some KLAX! Now if you want to talk about a solid arcade port, to a portable system no less, I would say that KLAX is right up there. It’s a hall of fame as far as arcade ports go. The gameplay is simple, yet addictive. There’s a lot of different objectives within the game. The tiles are coming down this conveyer belt and you’ve got to stack them up. You can stack a bunch of them up on your little pallet, and then decide how you want to disperse them below.
The premiere of 7800 Avenue, our brand new Atari-themed YouTube show! 7800 Avenue focuses on the classic 8-bit Atari 2600 and 7800 consoles with a look at different games and accessories in each episode. In the premiere episode of 7800 Avenue we celebrate Howard Scott Warshaw Day by playing a few rounds of Yars’ Revenge!